The Criterion Collection
Essays
Oct 22, 2013 — The disc of Faces that you now hold is the most beautiful copy possible of a film that was meant to look lousy. Digital technology painstakingly reproduces John Cassavetes’s lighting, which allowed his actors to move about freely, and so...
Oct 15, 2013 — Georges Franju’s masterpiece is the most chilling expression in cinema of our ancient preoccupation with the nature of identity.
Oct 7, 2013 — René Clair, Fredric March, and Veronica Lake cast sensational spells in this screwball supernatural treat.
Sep 26, 2013 — Roberto Rossellini officially left neorealism behind with his modern masterpiece, an intimate tale of marriage on the rocks.
Essays
Sep 18, 2013 — This chapter about director Richard Linklater’s beginnings, from the 1996 book Spike, Mike, Slackers & Dykes: A Guided Tour Across a Decade of American Independent Cinema, is by the former producer’s representative, creator and host of IFC’s Split Screen, and...
Aug 26, 2013 — From the beginning, it was clear that Rainer Werner Fassbinder was destined to shake up German cinema.
Aug 20, 2013 — Satyajit Ray’s delicate masterpiece about forbidden love in the late nineteenth century is lovingly adapted from a novella by the great Rabindranath Tagore.
Jul 30, 2013 — Guillermo del Toro’s ghostly fable beautifully reflects the director’s fascination with the personal and the political.
Jul 23, 2013 — Asked by French journalists in a 2001 interview what recent films he most admired, Brian De Palma named Ang Lee’s 1997 The Ice Storm. It was surprising to hear one of the leaders of a filmmaking revolution that aimed at...
Jul 22, 2013 — Gabriel Axel’s exquisite adaptation of Isak Dinesen’s short tale of grace through art provides spiritual and sensual sustenance.