The Criterion Collection
Essays
Aug 18, 2022 — With an obsessive attention to detail and tiny gestures, Ronald Bronstein’s debut feature film turns the tale of one neurotic Brooklyn man into a furious work of personal cinema.
The Daily
Aug 16, 2022 — The director’s first novel is an action-packed prequel and sequel to his 1995 film.
Aug 16, 2022 — The Safdie brothers drew inspiration from their childhood memories for their first feature as codirectors, a terrifying yet wondrous portrait of an unpredictable father.
The Daily
Aug 12, 2022 — The sublime comedies of Ernst Lubitsch, a state-of-the-doc address, and the spectacular work of three graphic designers.
Features
Aug 9, 2022 — An indie pioneer whose life was cut tragically short, the Texas filmmaker found grace in the tedium of repressive small-town existence.
The Daily
Aug 5, 2022 — We wrap the week with melodrama and Odorama, a new magazine, and the summer of 1982.
The Daily
Jul 26, 2022 — The festival selects urgent documentaries, starry portraits, and family dramas.
Jul 26, 2022 — A seductive brew of decadence, dada, and drag, the German director’s fantastical films embrace the possibilities of female visual pleasure.
Jul 22, 2022 — Entwined with the evolution of American culture, boxing movies have used the microcosm of the ring to tackle issues of race, class, gender, and labor.
Jul 20, 2022 — A brutal critique of the American dream, Carl Franklin’s 1995 thriller explicitly confronts the racialized implications of classic film noir.