The Criterion Collection
Jun 11, 2015 — The author recalls the two great cinematographers and their work.
Jul 25, 2005 — Seijun Suzuki stages a fearsome guerrilla night raid on an axis of oppression that includes the state, the church, the U.S. military occupation, and both the commercial exploitation of sexuality and the nonprofit pleasures of carnal love.
Jan 10, 2005 — Seijun Suzuki made a breakthrough with his second feature, a yakuza thriller full of devil-may-care assurance and try-anything imagination.
Oct 29, 1990 — Luis Buñuel’s ode to obsessive love is injected with the biting subversive wit, symbolism, originality and surreal touches that distinguish his finest achievements.
Essays
May 12, 2026 — Sexuality—how one defines it, lives with it, hides it, shuns it, or wields it—is inextricable from matters of socioeconomic class, though rare is the American film that centralizes this intersectional reality. The foundational myth of the American dream puts forth...
The Daily
May 4, 2026 — L’Alliance New York presents a series of films by a director ripe for discovery in the U.S.
The Daily
Apr 22, 2026 — Boots Riley and Olivia Wilde both have two films at this year’s edition of New England’s largest film festival.
The Daily
Apr 9, 2026 — Ryusuke Hamaguchi, Asghar Farhadi, Paweł Pawlikowski, Na Hong-jin, Cristian Mungiu, and Ira Sachs are headed into the main competition.
The Daily
Feb 13, 2026 — This week brings a tribute to Diane Keaton, notes on Taxi Driver at fifty, and three flights of the spirit.