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This and That

Jan 24, 2014 Aki Kaurismäki first read Henri Murger’s Scènes de la vie de bohème in 1976. The highly influential 1851 book—an episodic novel about a group of starving artists that also inspired Puccini’s 1896 opera La bohème—captured the Finnish filmmaker’s imagination and,...

Aug 6, 2013 If you’ve seen Boogie Nights, There Will Be Blood, or virtually any other film directed by Paul Thomas Anderson, you know that he is enamored of ornate tracking shots. So it’s no surprise that he’s a fan of Max Ophuls,...

Jun 19, 2013 In a new supplement recorded in 2013 for the Criterion Collection, we catch up with Magda Vášáryová, who was a teenager when she played the title character in František Vlácil’s Czechoslovak New Wave landmark Marketa Lazarová. In this clip from...

Jun 17, 2013 The silent legend practices slapstick with clockwork precision in his most iconic, astonishing comedy.

Apr 22, 2013 A vivid portrait of a ruthless murderer, Laurence Olivier’s Technicolor Shakespeare adaptation is back in a killer restoration.

Dec 5, 2012 In René Clément’s sparkling but menacing anti-noir, the Mediterranean setting is as seductive as Alain Delon’s baby blues.

May 22, 2012 These five films chart the unlikely ascendance of a hero of American underground cinema.

May 1, 2012 The Organizer is a dramatically political statement from director Mario Monicelli. More commonly known for lighter films like Big Deal on Madonna Street, Monicelli created an expression of the necessity of collective action that is both gritty and entertaining. In making...

Mar 13, 2012 In the becalmed atmosphere of today’s Hollywood, it’s hard to imagine the tumult that greeted The Last Temptation of Christ when it was released in 1988. Brilliantly directed by Martin Scorsese, this adaptation of Nikos Kazantzakis’s imaginative retelling of the...

Dec 6, 2011 Ernst Lubitsch’s Design for Living (1933) is what sexy should be—delightful, romantic, agonizing ecstasy. And it’s not just sexy but also revolutionary, daring, sweet, sour, cynical, carefree, poignant, and so far ahead of its time that one could cite it...

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