The Criterion Collection
May 18, 2010 — Nicolas Roeg’s first solo outing as a director is an astonishing visual poem, by turns violent, innocent, and elegiac.
Mar 17, 2010 — 1. A Park—Night A man aflame is running directly toward camera. This image, which comes from Nicholas Ray’s initial treatment for Rebel Without a Cause, might stand at the head of almost any of Ray’s movies, since it so clearly...
Essays
Feb 9, 2010 — You can’t keep a good woman, or a great movie about a good woman, down. By all accounts, goodness in the real Lola Montez reflected the vagaries of character, not talent. She was, as Cosmo Brown says of Lina Lamont...
Oct 3, 2016 — Polish music icon Zbigniew Preisner, who first worked with the Dekalog director on 1985’s No End and went on to contribute to all of his subsequent films. Here, we present a selected playlist of Preisner’s most memorable work for Kieślowski.
Oct 5, 2016 — Rock critic Robert Christgau examines the evocative use of three early Leonard Cohen songs in Robert Altman’s brilliant revisionist western.
Sep 24, 2015 — It’s a film that stars David Bowie, so it should come as no surprise that Nicolas Roeg’s The Man Who Fell to Earth is as richly layered sonically as it is visually. However, although Bowie wrote songs for the sci-fi...
The Daily
Feb 22, 2019 — Oscar-nominated songs, the unsung Marielle Heller, Lois Weber, Germans in Paris, and more feature in this week’s round.
On the Channel
Sep 25, 2017 — In the latest episode of Observations on Film Art, Professor Kirstin Thompson explores the sonic innovations that Fritz Lang pioneered in a masterpiece of early sound cinema.
May 17, 2016 — Before the release of his new film Sunset Song, the beloved filmmaker stopped by the Criterion kitchen for lunch and became especially animated when our discussion drifted toward two of his great loves: the plays of Anton Chekhov and musicals...
Nov 10, 2016 — Although Alton Brown is now known mostly for his work in food media, his first career was as a filmmaker. His big break came when he shot the music video for R.E.M.’s 1987 song “The One I Love,” which allowed...