The Criterion Collection
Apr 17, 2006 — Another movie, another cause célèbre: this mysterious film by Orson Welles has been dismissed as a disaster and hailed as a masterpiece.
The Daily
Nov 15, 2021 — Paul Newman’s forthcoming memoir, Bill Gunn’s 1981 novel, and Melissa Anderson’s Inland Empire are among this month’s notable titles.
Essays
Nov 15, 1994 — Andrzej Wajda’s third full-length film established the director as a leader of the new Polish cinema.
Oct 7, 2015 — It’s night in the desert. Mike (River Phoenix), a teenage hustler given to bouts of narcolepsy, and Scott (Keanu Reeves), a slumming preppy prince, are huddled over a campfire. “I just want to kiss you, man,” says Mike softly. The...
Essays
Oct 22, 2013 — The disc of Faces that you now hold is the most beautiful copy possible of a film that was meant to look lousy. Digital technology painstakingly reproduces John Cassavetes’s lighting, which allowed his actors to move about freely, and so...
May 27, 2026 — When Joachim Trier made his debut in 2006 with the film Reprise, I felt as if a veil had been lifted. There was nothing wrong with Norwegian cinema before Trier’s arrival, but it always seemed to be about someone else,...
Sep 24, 2025 — Jacques Audiard’s Paris-set drama about small-time hoodlum with musical ambitions crystallized his identity as an artist with a high degree of confidence and control.
The Daily
Dec 4, 2017 — One of the most anticipated highlights of lists and awards season is David Ehrlich’s spectacularly edited video countdown of his favorite films of the year. Today sees the 2017 edition that he’s been teasing on Twitter finally go live, and...
Nov 19, 2015 — Satyajit Ray’s long-heralded cinematic achievement was influenced by European cinema but also grew out of long-standing Indian artistic tradition.
Jun 16, 2008 — Claude Sautet occupies a unique place in French cinema. Although he directed some of the biggest hits of the seventies and worked with some of the biggest stars, few critics considered him an “auteur” in his lifetime. Paradoxically, it was...