The Keep

May 31, 2022 — Wayne Wang’s breakthrough feature, a milestone in Asian American cinema, is a humorous and intimate snapshot of San Francisco’s Chinatown.

Feb 5, 2020 — Performances Judy Davis chomps softly into Naked Lunch: into twisted behavior, into the nuanced meat of the moment, into the juicy black center of the psychic abyss. Bombed-out but supernally alert and incongruously amused, she injects a syringe into her...

Jun 17, 2019 — Performances I can’t remember a time in my childhood when I saw a grown-up cry. It wasn’t that the elders around me were all that even-tempered; most of them were no less capable of lashing out in anger or indignation...

Apr 19, 2019 — Performances No other comedian could milk a pause for a laugh quite the way Jack Benny could on his radio program, which lasted from 1932 to 1955 and turned him into an American institution. (He also did a TV show...

Dec 6, 2018 — Repertory Picks Since September, the Cinematheque at the University of Wisconsin–Madison has devoted its Sunday-afternoon screening series at the Chazen Museum of Art to the work of New German Cinema icon Rainer Werner Fassbinder. And this weekend, the retrospective’s second...

Nov 4, 2014 — In cinema history, there truly is no gag like a Tati gag.

Jun 9, 2014 — In the history of cinema, there have been several notable collaborations between a director and an actress over a series of films. Think of D. W. Griffith and Lillian Gish back in the silent era, Josef von Sternberg and Marlene...

Jan 14, 2014 — Jules Dassin’s atmospheric, genre-defining heist thriller combines American virtuosity with French cool.

Mar 25, 2013 — Robert Bresson’s prison-break story is a tale of religious faith and a work of striking purity.

Mar 27, 2012 — Good wartime propaganda films are as rare as good wars. Noël Coward and David Lean’s In Which We Serve, which had its premiere in Great Britain in September 1942, when the nation was entering the fourth year of hostilities with...