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The Audience

Sep 3, 2025 — Amanda Seyfried (The Testament of Ann Lee), Jesse Plemons and Emma Stone (Bugonia), and Dwyane Johnson (The Smashing Machine) dazzle in Venice.

Nov 27, 2024 — The week offers evasive icons, an archive to rummage through, and a great but overlooked critic.

May 31, 2023 — It’s not every year that so many critics are pleased with the juries’ choices.

Feb 21, 2023 — On the verge of implosion, the band rages through a performance of their song “Circle Sky” in a psychedelic, politically trenchant sequence from director Bob Rafelson’s debut feature.

Oct 15, 2021 — This week: Visconti, Bertolucci, Sumiko Haneda, Lynne Sachs, and designer Barbara Baranowska.

Oct 8, 2021 — From Richard Linklater to Isabelle Huppert, some of cinema’s most beloved figures have shown their commitment to the art form by operating venues with stellar repertory programs.

Summer Issues

The Daily

Aug 6, 2021 — Catching up with the latest from Alphaville, the Journal of Cinema and Media Studies, La Furia Umana, and Film-Philosophy.

One Work, Two Days

The Daily

Jun 23, 2021 — C. W. Winter and Anders Edström’s eight-hour The Works and Days (of Tayoko Shiojiri in the Shiotani Basin) comes to Los Angeles and New York in July.

Borderline Week

The Daily

Sep 17, 2020 — Antonio Campos’s The Devil All the Time and Sean Durkin’s The Nest have A.V. Club writers revisiting the films they’ve made with Josh Mond.

Aug 20, 2019 — With The Hired Hand, Fonda created a classic of the new era ushered in by Easy Rider.

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