The Criterion Collection
Dec 20, 2019 — The following account was scratched together in August 1990, when Wim Wenders’ Until the End of the World was still taking shape in the editing room. Apart from a basic rinse of copy editing, I’m offering it up essentially as is,...
The Daily
Dec 20, 2019 — This week we’re spotlighting directors’ and writers’ appreciations of other directors and writers, plus Céline Sciamma and Agnès Varda.
The Daily
Dec 17, 2019 — She worked with Rivette, Fassbinder, and Visconti, but of course, any discussion of her illustrious career will always circle back to Godard.
Essays
Dec 12, 2019 — Almost from the moment it arrived on screens in early 2006, Kelly Reichardt’s Old Joy was celebrated as a new milestone for American cinema, even an expression of independent filmmaking’s delayed arrival at maturity. In relating its deceptively simple tale...
Dec 10, 2019 — Rock music, as director Wim Wenders once joked in an interview, offered to him and other Germans of his generation the “only alternative to Beethoven.” There is likely as much truth as hyperbole in the statement; considering the role that...
Dec 10, 2019 — Wim Wenders has often referred to his Until the End of the World (1991) as the “ultimate road movie,” and even he may not realize how accurate that description has turned out to be. It certainly was, and remains, the...
Dec 6, 2019 — Coaxed out of retirement, the actor and singer is winning plaudits for his powerfully understated performance in The Irishman.
Dec 5, 2019 — The year will begin with new films by Josephine Decker, Kirsten Johnson, Dee Rees, Sean Durkin, and Michael Almereyda.
The Daily
Nov 29, 2019 — American gangsters, Chinese filmmakers, and a Czech animator are featured in this week’s round.
The Daily
Nov 29, 2019 — The BBC polls 368 critics and programmers to come up with a list of the greatest films directed by women—plus more of the best of the 2010s and 2019.