The Criterion Collection
The actor selects Czechoslovak New Wave favorites by Miloš Forman and Věra Chytilová, shares her love for British realism and A Taste of Honey, and talks about Agnès Varda’s daring depictions of womanhood.
The longtime creative partners share their love for Albert Brooks, praise Jackie Chan as “the funniest living human being,” and talk about referencing The Cranes Are Flying for their new show The Studio.
The actor, comedian, and writer praises John Waters as a “timeless shocker;” shares his desire for more great nightlife movies like The Last Days of Disco; and reflects on the beauty of Robby Müller’s cinematography.
The writer and director of Girlfight selects films with complex themes of power and ambition; praises women whose work she felt gave her permission to become a filmmaker, such as Martha Coolidge and Joan Micklin Silver; and shares her love...
The writer and director of His Three Daughters shares his deep love for Charles Laughton, talks about how Aki Kaurismäki blends fantasy and reality in La vie de bohème, and praises La Ciénaga and Girlfriends as cinematic miracles.
One of the most beloved figures to emerge in 1960s Hollywood, the Oscar-winning actor was acclaimed for his collaborations with directors such as Arthur Penn, William Friedkin, and Wes Anderson.
The actor and star of Babygirl expresses his love for the films of Lino Brocka, praises his costar Nicole Kidman’s performance in To Die For, and talks about being influenced by such filmmakers as Mike Leigh and Harmony Korine.
The director and producer reminisces about the emotional impact of his early moviegoing experiences, shares his passion for the films of Federico Fellini, and talks about the profound thrill of watching Steve McQueen’s Hunger and Wim Wenders’ Pina for the...
The actor shares his close connection to Lindsay Anderson’s This Sporting Life, praises Richard Burton’s performance in The Spy Who Came in from the Cold, and talks about playing villains for “master of the macabre” Brian De Palma.
The actor and star of Christophe Honoré’s Marcello Mio talks about the power of political films disguised as comedies, such as To Be or Not to Be and Divorce Italian Style; shares her love for Japanese horror cinema; and reminisces...