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The Go-Between

Oct 27, 2022 To capture the spirit of Frank Capra’s dark screwball classic, Criterion enlisted a longtime collaborator to create an image that combines the influences of Old Hollywood illustrator Jacques Kapralik and legendary pen-and-ink artist Edward Gorey.

Jun 14, 2022 Ekwa Msangi’s intimate feature debut pushes the conventions of the immigrant family drama.

Tribeca 2022

The Daily

Jun 8, 2022 Tough choices will face attendees from today through June 18.

May 20, 2022 Critics take a first look at new films from James Gray, Felix van Groeningen and Charlotte Vandermeersch, Mia Hansen-Løve, Saela Davis and Anna Rose Holmer, and Pietro Marcello.

May 13, 2022 The director of We’re All Going to the World’s Fair reflects on the transformative power of a Sonic Youth needle drop in Olivier Assayas’s 1996 film.

April Books

The Daily

Apr 13, 2022 Marguerite Duras and Jean-Luc Godard, Cahiers du cinéma’s radical years, and Todd Haynes are among this month’s highlights.

Mar 18, 2022 With a collection of her films now available on the Criterion Channel, the director behind Still Processing discusses the radically personal nature of her work.

Feb 8, 2022 A Prohibition-era gangster saga, the Coen brothers’ third feature is an enigmatic fable of violence, loyalty, and existential unease.

Oct 15, 2021 There is a gloriously unaffected vibe about Gina Prince-Bythewood. Cerebral and sublime, casually beautiful and laser-focused, she has written and directed impressive television and film for the past twenty-plus years with equal parts rigor and joy. And she has achieved...

Sep 13, 2021 Audrey Diwan, Jane Campion, and Maggie Gyllenhaal take home top awards.

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