The Criterion Collection
Dec 14, 2018 — “It’s sad to say, but women do not have much importance in westerns,” observed Anthony Mann, a master of the genre, in a 1957 Cahiers du cinéma interview. Made that same year, Samuel Fuller’s Forty Guns begins with a whopper...
The Daily
Apr 2, 2018 — This week sees the openings of the San Francisco International Film Festival, Locarno in Los Angeles, and DOC10 in Chicago, and I’ll have separate entries on all three events in a couple of days. New York. The BAMcinématek series Tough...
The Daily
Dec 25, 2017 — New York. The Film Society of Lincoln Center’s series Emotion Pictures: International Melodrama rolls on through January 7. “The genre of melodrama, which displays the grand, tragic passions that mark everyday lives while also detailing historical events that knock those...
The Daily
Nov 29, 2017 — The Sundance Film Festival, whose 2018 edition will run from January 18 through 28, has announced the lineups for its U.S. Dramatic and Documentary Competitions, World Cinema Dramatic and Documentary Competitions, and its Next, Spotlight, Premieres, Documentary Premieres, Midnight, and...
The Daily
Sep 30, 2017 — “Nine years in the making, Western draws its title from [Valeska] Grisebach’s generic source inspiration, the American Western,” wrote Michael J. Anderson in a dispatch back to the Oklahoma City Museum of Art a couple of weeks ago. “Noted for...
The Daily
Aug 24, 2017 — Cineaste has posted selections from its fiftieth anniversary issue, along with a round of web exclusives. Louis Menashe, professor emeritus at Polytechnic Institute of New York University and author of Moscow Believes in Tears: Russians and Their Movies, tells the...
The Daily
Jun 21, 2017 — Billing itself as “the world's longest continually-running film festival,” the Edinburgh International Film Festival opens its 71st edition today with Francis Lee’s God’s Own Country, one of five films Alistair Harkness recommends from the lineup in the Scotsman: “Already described...
Features
May 2, 2017 — On a trip to the Library of Congress’s Mostly Lost workshop—affectionately known as “film-geek heaven”—Imogen Sara Smith joined early-cinema aficionados in uncovering treasures from the vaults.
Essays
May 13, 2013 — Delmer Daves’s visually majestic, emotionally charged western finds its drama in the decency of its characters.
Jan 15, 2007 — Allison Anders, Dean Lent and Kurt Voss’s influential indie paints a compelling picture of the Los Angeles punk-rock scene of the 1980s: what it was like on the inside—and what it was like inside the musicians’ heads.