The Criterion Collection
The Daily
Apr 2, 2018 — Updates are still coming into the first entry on this year’s New Directors/New Films running at the Film Society of Lincoln Center and the Museum of Modern Art in New York. This entry will take us all the way through...
The Daily
Apr 1, 2018 — Empire has been rolling out interviews from its “Spielberg Takeover” issue, the one with five different covers, including a podcast (102’01”) that’s naturally not part of the print version, in which contributors talk with Steven Spielberg himself and with Simon...
Essays
Mar 30, 2018 — This spectacular and technically ambitious Hollywood musical is a priceless window onto American pop culture’s view of itself in the 1930s.
The Daily
Mar 18, 2018 — A24 is setting up an adaptation of Richard Wright’s 1940 novel Native Son, reports Deadline’s Mike Fleming Jr. “Pulitzer Prize-winning playwright Suzan-Lori Parks has written the script and celebrated conceptual artist Rashid Johnson will direct the film, which will take...
Mar 16, 2018 — Martin Scorsese talks with critic Kent Jones about some of the techniques that helped bring the film’s depiction of Gilded Age Manhattan to life.
On the Channel
Mar 14, 2018 — Bette Davis struck a blow against expectations of pliant female loveliness and grace with her role as a no-nonsense teacher in The Corn Is Green.
Mar 13, 2018 — Martin Scorsese brought his trademark attentiveness to the intricacies of social custom to this devastating adaptation of an Edith Wharton novel.
The Daily
Mar 12, 2018 — As part of The Eyes of William Klein, the series running through tomorrow, the Quad presents Louis Malle’s Zazie dans le Métro (1960) tonight, the reason being, as Jon Dieringer points out at Screen Slate, Klein was “given the title...
The Daily
Mar 9, 2018 — Ryan Coogler is on the cover of the new March/April 2018 issue of Film Comment, and Devika Girish writes about how “the mythology of Black Panther is keenly attuned to the present even as it undoes the past: it is...
The Daily
Mar 5, 2018 — New York. “The New York street (and fashion) photographer turned New Left filmmaker gets a ninetieth birthday fête with The Eyes of William Klein,” writes J. Hoberman for the New York Review of Books. “Klein made his most political work...