The Criterion Collection
May 31, 2018 — Back in 1977, when One Sings, the Other Doesn’t premiered at the New York Film Festival, Molly Haskell wrote that Agnès Varda’s radical feminist musical had done “for the spirit of sorority what the films of Renoir and Truffaut have done...
On the Channel
May 24, 2018 — In the 1940s, legendary British filmmaking duo Michael Powell and Emeric Pressburger took the eye-popping, beautifully saturated palette of Technicolor to delirious new heights. For this month’s episode of Observations on Film Art, now playing on the Criterion Channel on FilmStruck, scholar Kristin Thompson explores...
May 24, 2018 — Let the celebrations begin with a series in New York, a season in London, and a new restoration.
May 18, 2018 — Improvising to Jim Jarmusch’s film in real time, Neil Young created a rich parallel environment that sounds like a force of nature.
The Daily
May 16, 2018 — Joachim Trier’s jury goes for a satire about a Portuguese soccer star.
The Daily
May 15, 2018 — It’s the true story of a black detective who infiltrated the KKK—and Lee just might have a hit on his hands.
May 14, 2018 — In the singular world of Finnish filmmaker Aki Kaurismäki, auteurist homage and social consciousness are joined by some of the most lovingly filmed dogs in contemporary cinema.
The Daily
May 10, 2018 — The director of Ida returns with the story of an intense love affair.
Essays
May 8, 2018 — In his uncharacteristic final masterpiece, the great Hollywood melodramatist Frank Borzage approaches the shadowy violence of film noir with his unique brand of romanticism.
The Daily
May 7, 2018 — And it’s May ’68 all over again in New York, D.C., and London. Plus Bergman in L.A., Tarkovsky in San Sebastián, and more.