The Criterion Collection
Sep 3, 2017 — We begin with Jessica Kiang at the Playlist: “The book that will someday be written detailing the evolution of the cinematic head-stomp will be divided, rather like the most unfortunate victim of Bone Tomahawk, into two halves: before S. Craig...
Sep 2, 2017 — “The names Joel and Ethan Coen pop up on a lot of screenplays these days (Bridge of Spies, Unbroken), now that they’re getting credit for the kind of script-polishing they used to do anonymously,” begins Variety’s Owen Gleiberman. “But Suburbicon...
Aug 30, 2017 — “Can there be any clearer signal of reality warping as we hurtle toward imminent apocalypse than the fact that Alexander Payne has made a life-affirming film?” asks Jessica Kiang at the Playlist. “Venice opener Downsizing takes the long road getting...
The Daily
Aug 20, 2017 — “Jerry Lewis, the brash slapstick comic who teamed with Dean Martin in the 1950s and later starred in The Nutty Professor and The Bellboy before launching the Muscular Dystrophy telethon, has died,” report Richard Natale and Carmel Dagan for Variety....
The Daily
Jul 17, 2017 — “Steven Spielberg laid claim to the Normandy beach landing,” begins Variety’s Peter Debruge, “Clint Eastwood owns Iwo Jima, and now, Christopher Nolan has authored the definitive cinematic version of Dunkirk. Unlike those other battles, however, this last was not a...
Jul 5, 2017 — “Today,” begins Flavorwire’s Jason Bailey, “New York’s Film Forum begins a fabulous new retrospective series, Ford to City: Drop Dead—New York in the 70s, which draws its title from the notorious New York Daily News headline paraphrasing of President Gerald...
May 24, 2017 — “Cinema lost one of its pre-eminent pioneers when Abbas Kiarostami died on July 4, 2016,” writes Giovanni Marchini Camia at the Film Stage, where he notes that 24 Frames “was as good as finished” at the time of his passing....
Nov 18, 2013 — When Tokyo Story was released in late 1953, Western audiences were just being exposed to Japanese cinema. Akira Kurosawa had made his breakthrough with Rashomon three years earlier, and Kenji Mizoguchi was moving to the forefront of the international festival...
Apr 26, 2010 — In the late 1940s, driven by the opening-night ovations for A Streetcar Named Desire, Tennessee Williams embarked on more than a decade of immense success. During this period, he wrote at a furious pace: Summer and Smoke, The Rose Tattoo,...
May 20, 2009 — Iconoclasts are meant to kill their idols, and so it’s fitting that Shohei Imamura launched into his career as if on a patricidal rampage. Like Nagisa Oshima, the other towering figure of the Japanese New Wave, Imamura (1926–2006) rejected the...