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Fiction

Oct 4, 2012 Louis Malle is remembered primarily as a fiction filmmaker, but he had a parallel career as a documentarian. In fact, he got his start in nonfiction: when he was just twenty-three years old, Malle was given the opportunity to collaborate...

Sep 25, 2012 No mere jigsaw movie, David Fincher’s thriller is also a nuanced character study, a satire of corporate culture, and a film about filmmaking.

Sep 20, 2012 The following is excerpted from a 1990 audio interview that originally appeared on the Criterion Collection’s laserdisc edition of Children of Paradise. It was conducted by the late Brian Stonehill, who was a communications and media studies professor at Pomona...

Aug 30, 2012 In the 1960s, Mailer, already a literary legend, was inspired by the avant-garde film movement to take a stab at his own, anti-Warholian underground cinema.

Aug 27, 2012 There are disturbing movie scenes, and then there are disturbing movie scenes. The following, from Norman Mailer’s Maidstone, is not for the faint of heart. The 1970 film is the ultimate example of Mailer’s cinematic philosophy, which held that a...

Aug 14, 2012 The Dardennes threw down the gauntlet for a new type of unadorned dramatic storytelling with their breakthrough tale of a working-class boy’s fraught coming-of-age.

Aug 2, 2012 This week we lost one of the great artists of the past century, Chris Marker. Though best known for his 1962 La Jetée, a science-fiction epic in miniature told through black-and-white still photographs, and his 1983 Sans Soleil, a personal...

Listening to La Jetée

Visual Analysis

Jun 21, 2012 Chris Marker’s La Jetée is the kind of film that haunts the brain. This quality is attributable not only to its unforgettable postapocalyptic imagery but also to its soundscapes, as spare as they are ravishing and mysterious. In this new...

The only female director of the French New Wave, Agnès Varda has been called both the movement’s mother and its grandmother.

May 29, 2012 Harriet Andersson’s Monika is both an erotic object and an empowered female protagonist in Bergman’s groundbreaker.

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