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Oct 7, 2017 “Claire Denis’s new film, Let the Sun Shine In, about a middle-aged woman’s romantic adventures, refracts personal experience in the form of a modernistic screwball comedy,” writes the New Yorker’s Richard Brody. “Juliette Binoche brings luminous intensity and wicked humor...

Oct 6, 2017 Back when Projections was still called “Views from the Avant-Garde,” the New York Film Festival described its program as a “yearly touchstone for experimental film.” Now neither of those terms—“avant-garde” and “experimental”—are quite broad enough to encompass all that goes...

Oct 5, 2017 One of Kenji Mizoguchi’s greatest films screens at the New York Film Festival this weekend in a gorgeous new restoration.

Oct 3, 2017 In the print edition of the current issue of Film Comment, we find Luca Guadagnino saying that “the true generator of the movies I try to make is Jean Renoir, and A Day in the Country is really the alpha...

Oct 3, 2017 From Catherine Grant comes word that the third issue of Film Journal is now online, and it’s got a theme: “Since the Lumière Brothers’ The Arrival of a Train at La Ciotat Station (L’Arrivée d’un train en gare de La...

Sep 29, 2017 One of the most elusive artists in American cinema opens a window onto his private life and creative methods in this revelatory documentary.

Sep 26, 2017 Let’s start today’s round with a few books. Next month sees the release of Movies That Mattered: More Reviews from a Transformative Decade, Dave Kehr’s followup to his 2011 book, When Movies Mattered. Before he became a curator in the...

Sep 25, 2017 Highlights from this year’s stellar Toronto International Film Festival lineup echoed a handful of classics from our collection.

Sep 24, 2017 For the final issue in print of the Village Voice, Bilge Ebiri talks with Jonas Mekas, “the 94-year-old filmmaker, artist, critic, poet, photographer, cinema owner, and all-around underground impresario who transformed film criticism, filmmaking, and exhibition throughout the 1960s and...

Sep 17, 2017 While we’re still reeling from the loss of Harry Dean Stanton, there are others who’ve left us this past week or so we’ll want to remember.“Frank Vincent, whose tough-guy looks brought him steady work as a character actor in film...

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