The Criterion Collection
Oct 3, 2017 — In the print edition of the current issue of Film Comment, we find Luca Guadagnino saying that “the true generator of the movies I try to make is Jean Renoir, and A Day in the Country is really the alpha...
The Daily
Dec 11, 2018 — As critics list their favorite television shows of 2018, we take a look at some of the most notable writing about a few of their picks.
Jan 21, 2008 — The feminist politics of Agnès Varda’s marital drama were ahead of their time, but it is on the level of form that the film is so unsettling and calls up contradictory interpretations.
The Daily
Oct 31, 2017 — New York. “Cinema began less as an art, more as a curiosity,” writes Tyler Maxin at Screen Slate. “Its early practitioners were hucksters, charlatans, and illusionists, and its direct predecessors were phantasmagoria, magic lanterns, vaudeville, and sideshows.” Tonight at Light...
The Daily
Jul 29, 2022 — We head back to the 1940s in Los Angeles, the 1960s in New York and Paris, and to every summer you remember.
The Daily
Mar 25, 2022 — This week’s reads include a survey of this year’s contenders, a look back to the last big sweep, and interviews with Wayne Wang and Valentyn Vasyanovych.
Jan 14, 2025 — In this digressive, intensely interior masterpiece, Jean Eustache mines the dramas of his past romances while also capturing the disillusionment of young Parisians in the aftermath of May 1968.
The Daily
Nov 16, 2018 — Studies of China’s past and present are screening at three venues in the city.
The Daily
Oct 9, 2019 — This year’s program has taken NYFF attendees to Soviet Russia, Lebanon, Chile, back home to the Big Apple, and behind bars.