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This Is It

Dec 4, 2006 William Greaves’s masterpiece uses a single situation as the basis for a theme-and-variation structure that interrogates every aspect of the filmmaking process as well as the categories of fiction and documentary.

Jan 5, 2006 Akira Kurosawa appreciated Shake­speare’s knack for linking the private and the political, threading a tale of corruption and revenge through a tangle of blood ties.

Ordet

Essays

Aug 20, 2001 The strangeness of Ordet is something that no number of viewings, God willing, will rub off. I want to stress this strangeness. That Ordet is a great film, one of the greatest ever made, only a rash or foolish person...

Jun 18, 2001 Pent-up, unfulfilled sexuality spills onto the screen in Douglas Sirk’s sumptuous melodrama.

Vagabond

Essays

May 15, 2000 Vagabond has been called Agnès Varda’s Ulysses, and with good reason. The comparison with James Joyce’s era-defining epic novel extends well beyond a recognizable similarity between the two artists. Both writer and filmmaker occupy vanguard positions in the history of...

May 15, 2000 Horror movies take place in their own territory. The trick is to get us there. It doesn’t matter whether they start with fantastic premises and gothic settings, or with ordinary neighborhoods and daily experience, because the places and assumptions change...

L’avventura

Essays

Dec 11, 1989 Michelangelo Antonioni’s classic divided film history into that which came before and that which was possible after its epochal appearance.

Nov 6, 1989 If you had to choose one movie to have with you while stranded on an island, the choice might well be Lawrence of Arabia. Considered by many as one of the greatest films ever made, it received seven Academy Awards...

Oct 31, 1988 The wittiest, most sophisticated thriller ever made, North by Northwest is one of the crowning achievements in the careers of its director, Alfred Hitchcock, and its star, Cary Grant. Released in 1959 to both critical and public acclaim, this classic...

12 Angry Men

Essays

Feb 8, 1988 Sidney Lumet’s courtroom drama explores the process of law in human hands, where prejudice, fear, weakness, and even weather can divert the carriage of justice.

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