The Criterion Collection
Apr 8, 2016 — Ten years ago, with the release of his debut film Reprise, a spirited drama about two young aspiring novelists, Norwegian filmmaker Joachim Trier emerged as one of the most interesting new voices in European cinema.
Features
Mar 3, 2016 — By the time Charlie Chaplin began work on what would be his first feature-length film, in 1919, he had been sneaking up to the longer format for some time.
Apr 23, 2007 — Louis Malle’s documentary work adopts certain tenets of cinéma direct—improvisation, minimal crew, the refusal to organize reality—and applies them to a consistently class-conscious, outsider perspective.
The Daily
Dec 10, 2024 — The Locarno Film Festival is making a new restoration of Alberto Cavalcanti’s A Real Woman freely available worldwide.
The Daily
Apr 24, 2024 — This month brings a collection of Chantal Akerman’s writing, analyses of Ozu and Kubrick, and list of the best Hollywood books ever.
Essays
Jan 25, 2022 — A Victorian-era tale of self-discovery, Jane Campion’s Palme d’Or winner exults in the thrill of female rebellion.
The Daily
Oct 11, 2019 — Highlighted this week are an alternative history, the state of the documentary, and the influence of Antonioni and Pialat.
Apr 13, 2018 — Soviet filmmaker Sergei Parajanov explored his Transcaucasian roots in this visually spectacular and wonderfully strange ode to the Armenian poet Sayat-Nova.
Short Takes
May 8, 2017 — With his mix of documentary-like immediacy and profound moral inquiry, Roberto Rossellini became a pioneer of Italian neorealism, a movement that transformed the way filmmakers captured the fabric of everyday life and and grappled with the most urgent social issues...
Dec 6, 2011 — One of the delights of Alfred Hitchcock’s comic thriller is the wit with which it pins down a distinctly British insular mindset.