The Criterion Collection
The Daily
Nov 25, 2019 — The filmmaker, critic, and professor’s passion for cinema was contagious.
Visual Analysis
Sep 9, 2018 — Under the Influence Whether he’s exploring the dynamics of a family in crisis or putting his own spin on the body horror genre, Norwegian director Joachim Trier always returns to the subjective experience of time and memory as a central...
The Daily
May 16, 2018 — Joachim Trier’s jury goes for a satire about a Portuguese soccer star.
The Daily
Oct 5, 2017 — The Nobel Prize in Literature for 2017 has been awarded to Kazuo Ishiguro, “who, in novels of great emotional force, has uncovered the abyss beneath our illusory sense of connection with the world,” announces the Swedish Academy. Ishiguro is probably...
May 30, 2017 — Manhattan’s Quad Cinema reopened last month with a series of events that highlighted the emotional immediacy that comes with the experience of watching movies for the first time.
Essays
Jan 21, 2016 — In Gilda, Charles Vidor’s “violent, sexual, chaotic” noir, the director focused on Rita Hayworth’s skills as an actor and a dancer, eliciting a performance that became iconic in its own right and made her an international superstar.
May 1, 2015 — In his first feature, Jean-Pierre Melville found subtly radical ways to adapt Vercors's underground French novel about quiet resistance against the German occupation.
Oct 29, 2014 — George Sluizer’s singularly unsettling work of psychological terror is a model of lucid craftsmanship.
Jan 6, 2003 — Ernst Lubitsch set the screwball comedy standard, treating hard-on material with dignified aplomb and a combination of suaveness, hilarity, and sexiness.
Essays
Jun 3, 2002 — By any standard, The Horse’s Mouth shines as an outstandingly personal work from a decade that often seems the most arid in British cinema. Amid tepid comedies and timid thrillers, it sparkles with conviction and eccentricity—at least that’s how it...