That Kind of Woman

Jan 26, 2018 — Death has been greedy this week, taking not only artists who have left their mark on cinema but others, too, who have made an impact on our culture overall. The week began with the passing on Monday of Ursula K....

Jan 25, 2018 — Charlie Kaufman, pictured above at work on his last feature, Anomalisa (2015), with co-director Duke Johnson, “is set to write and direct a film adaptation of Iain Reid’s internationally best selling novel I’m Thinking of Ending Things for Netflix,” announces...

Jan 21, 2018 — “Filmed entirely within an emergency call center, Danish director Gustav Möller’s The Guilty (Den skyldige) is a claustrophobic thriller that finds fascinating ways to transcend, spiritually, its confines,” begins Bilge Ebiri in the Village Voice. “Pretty much the whole film...

Jan 17, 2018 — The Berlin International Film Festival has now completed the lineups for two of its programs, Forum Expanded and Generation. Back in December, the Berlinale announced a first round of Generation titles selected for younger viewers, so what we have today...

Jan 15, 2018 — Big announcement today from the Berlin International Film Festival, whose sixty-eighth edition runs from February 15 through 25. Following the first round of titles slated for the Competition and Berlinale Special revealed last month, the Berlinale’s now added another thirteen....

Jan 14, 2018 — Let’s begin with a round of interviews. In his latest “Streaming” column in the New York Times, Glenn Kenny talks with John Pierson about Split Screen, the television program that debuted on IFC back in 1997 and is now streaming...

Jan 7, 2018 — The updates to the entry on Paul Thomas Anderson’s Phantom Thread are still rolling in, and one of the most recent ones links to Sheila O'Malley’s cover article for the new issue of Film Comment. “Unlike other clichéd Great Men...

Jan 5, 2018 — For the seventh year running, the First Look festival at the Museum of the Moving Image in New York presents “formally inventive new works that seek to redefine the art form while engaging in a wide range of subjects and...

Dec 22, 2017 — “There are two basic types of Errol Morris film,” writes Evan Kindley in the Nation: One is the character study of an obsessive individual pursuing a difficult, perhaps impossible goal. Morris loves his Ahabs: the animal-obsessed eccentrics of Fast, Cheap...

Dec 18, 2017 — When Mathieu Amalric’s Barbara with Jeanne Balibar premiered in the Un Certain Regard program of this year’s Cannes Film Festival in May, it won an award for Best Poetic Narrative. A month later, it won the Jean Vigo Award, and...