Dec 30, 2021 Claire Denis, Martin Scorsese, Park Chan-wook, Kelly Reichardt, David Cronenberg, Josephine Decker, Yorgos Lanthimos, Mia Hansen-Løve—the list goes on.

Dec 17, 2021 A Nicole Brenez dossier and writing on Melvin Van Peebles and Nicolas Cage are among this week’s highlights.

Dec 16, 2021 Whether their lists run to ten or fifty films, critics argue their cases for the films they’ve put on top.

Dec 13, 2021 When Jessica Beshir embarked on making her debut feature more than a decade ago, she realized she was going to have to get comfortable with the unfamiliar and unknown. Not only did the Mexico-born, Brooklyn-based filmmaker have to learn how...

Dec 8, 2021 One of the liveliest and most perceptive cultural critics is gone at sixty-four.

Dec 7, 2021 Regina King’s feature-film directorial debut envisions the true-life convergence of four prominent Black figures with empathy and moral urgency.

Sondheim On-Screen

The Daily

Nov 29, 2021 The composer and lyricist who reinvented the American musical was “more of a film buff than a theater buff.”

Nov 23, 2021 First and foremost, Menace II Society is a movie for white people.These aren’t my words. These are the words of Albert Hughes, who codirected the movie with his twin brother, Allen. In several interviews, Albert has mentioned how he and...

Nov 23, 2021 Written and directed by the Safdie brothers, Josh and Benny, as a vehicle for two icons, funnyman Adam Sandler and basketball great Kevin Garnett, Uncut Gems (2019) is breathtakingly profane, alarming, and comic. Most simply described, the movie is one...

Nov 23, 2021 The End In the end, it should not have come as any kind of surprise. When Alfred Hitchcock’s Vertigo dethroned Orson Welles’s Citizen Kane (1941) as the greatest film of all time in Sight & Sound magazine’s international poll of...

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