The Criterion Collection
May 18, 2020 — It’s hard to imagine Hollywood without Frances Marion. The story of the screenwriter’s career is entwined with the story of Hollywood itself, from its pioneer days to the Golden Age. Part of Marion’s skill as a writer was how her...
May 8, 2020 — The opening and closing credits in a film are a form of housekeeping, fulfilling a legal obligation to compile the names of cast and crew who made the final product possible. Visionary designer Saul Bass saw the aesthetic potential in...
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Apr 30, 2020 — Festivals scheduled through August are taking their editions online, while studios and theater chains face off over digital releases. Here’s the latest on the impact of the virus.
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Apr 13, 2020 — The director of House, dozens of experimental films, and thousands of commercials returned again and again to the devastation of the Second World War.
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Mar 26, 2020 — The director of Re-Animator (1985) who founded a theater company that launched plays by David Mamet was seventy-two.
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Mar 3, 2020 — Mohammad Rasoulof has won the Berlinale’s Golden Bear, and Eliza Hittman is taking home the grand jury prize.
Feb 28, 2020 — Bong Joon-ho picks twenty directors to watch. Also in the spotlight this week are Jennie Livingston, Jerome Hiler, Dušan Makavejev, and Ritwik Ghatak.
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Feb 25, 2020 — A philosophical debate running nearly three and a half hours has opened the Berlinale’s new Encounters competition.
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Feb 7, 2020 — This week, we’re looking back on the work of Antonioni, Fellini, Cassavetes, and Mrinal Sen. Plus: Oscar talk!
Feb 5, 2020 — Performances Judy Davis chomps softly into Naked Lunch: into twisted behavior, into the nuanced meat of the moment, into the juicy black center of the psychic abyss. Bombed-out but supernally alert and incongruously amused, she injects a syringe into her...