The Criterion Collection
Feb 11, 2025 — Jean-Luc Godard’s first English-language narrative feature is a postapocalyptic fantasy that shifts from antic humor to tragic grandeur while challenging deep-rooted assumptions about what a Shakespearean movie should be.
The Daily
Feb 7, 2025 — The week brings fresh appreciations of Sara Gómez, Frederick Wiseman, Andrei Tarkovsky, Vittorio De Sica, and David Lynch.
The Daily
Feb 3, 2025 — The vibe in Park City was unsettling, but critics and juries discovered plenty of films to fall for.
The Daily
Jan 31, 2025 — As an Australian classic turns fifty, we’re also reading about Leos Carax and Catherine Breillat.
The Daily
Jan 28, 2025 — We’re reading about Wes Anderson and David Cronenberg and looking forward to books on David Lynch and Pedro Almodóvar.
The Daily
Jan 23, 2025 — In the run-up to the forty-first edition, critics have been writing up lists of their most-anticipated films.
The Daily
Jan 21, 2025 — Lynchian may be impossible to define, but you know it when you see it.
The Daily
Jan 15, 2025 — Edward Berger’s improbably entertaining follow-up to All Quiet on the Western Front (2022) scores twelve.
Jan 14, 2025 — In this digressive, intensely interior masterpiece, Jean Eustache mines the dramas of his past romances while also capturing the disillusionment of young Parisians in the aftermath of May 1968.
The Daily
Jan 10, 2025 — This week: Eisenstein’s diaries, Godard’s artworks, Mike Leigh’s characters, and Sidney Poitier’s late work.