The Criterion Collection
The Daily
Sep 12, 2024 — Chime, a French remake of Serpent’s Path, and Japan’s Oscar submission, Cloud, have all premiered within months of each other.
The Daily
Sep 11, 2024 — Marianne Jean-Baptiste plays a deeply frustrated woman in Leigh’s first film set in contemporary Britain since Another Year (2010).
The Daily
Sep 10, 2024 — A commanding presence on the stage and on movie and television screens, Jones could perform wonders with that voice.
Sep 10, 2024 — Andrew Haigh explores loss and queer loneliness in this exquisite, twilit tangle of lives and loves separated by space, time, and personal defenses.
The Daily
Sep 4, 2024 — The festival launched RaMell Ross’s Nickel Boys and brought in a slew of critical favorites fresh from their premieres in Venice.
The Daily
Sep 4, 2024 — New York’s Metrograph showcases work by the renowned cinematographer with a special focus on his collaborations with Hou Hsiao-hsien.
The Daily
Sep 3, 2024 — The Room Next Door, The Brutalist, and Babygirl are met with both wild enthusiasm and serious reservations.
The Daily
Aug 30, 2024 — Martin Scorsese and Edgar Wright discuss overlooked British films and cinematographer Mark Lee Ping-bing talks about working with Hou Hsiao-hsien.
Aug 28, 2024 — United by a meditative approach that captures the spiritual bounty of the natural landscape and the tolls of physical labor, this Mexican director’s films challenge stereotypical depictions of his country’s rural communities.
The Daily
Aug 28, 2024 — Critics look ahead to their most-anticipated films in Venice, the festival that kicks off the season.