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Jul 20, 2022 — A brutal critique of the American dream, Carl Franklin’s 1995 thriller explicitly confronts the racialized implications of classic film noir.

Jul 8, 2022 — This week: Juliette Binoche’s work with Krzysztof Kieślowski and Claire Denis, post-Berlin School German cinema, and Tom Cruise’s “immaculate superstardom.”

Jul 6, 2022 — The seventy-fifth edition will premiere new films by Helena Wittmann, Alexander Sokurov, and Nikolaus Geyrhalter.

May 18, 2022 — Just slightly northwest of Death Valley, in what is now eastern California, a mountain range carves out the eastern edge of the Owens Valley. Sculpted by bedrock pushed between tectonic faults during the late Proterozoic to Cambrian periods, the Inyo...

Apr 12, 2022 — The director of The Witch and The Lighthouse returns with a revenge-driven tale set in tenth-century Iceland.

Mar 21, 2022 — Weeks ahead of the lineup announcement, trade publications are making educated guesses.

Aug 31, 2021 — Cary Joji Fukunaga’s devastating child-soldier movie unflinchingly captures the shock of war without forsaking the complexity of human experience.

Aug 12, 2021 — Gleaning the best of Cannes, Berlin, and Sundance, NYFF programmers have selected thirty-two features from nearly as many countries.

Aug 10, 2021 — Hirokazu Kore-eda’s international breakthrough is a bittersweet meditation on mortality, memory, and the movies.

Aug 3, 2021 — With two short films and his acclaimed debut feature, No Data Plan, now playing on the Criterion Channel, the Filipino American filmmaker discusses his vision of the immigrant experience.