The Criterion Collection
Nov 15, 2022 — A box-office success that buoyed Hong Kong’s beleaguered movie industry in the early 2000s, this suite of crime films combines narrative intricacy and moral complexity with an abundance of megastar charisma.
The Daily
Sep 27, 2022 — New restorations of work by Pedro Costa, Kira Muratova, Jean Eustache, Edward Yang, and Claire Denis are set to screen in New York.
Jul 20, 2022 — A brutal critique of the American dream, Carl Franklin’s 1995 thriller explicitly confronts the racialized implications of classic film noir.
May 10, 2022 — Joseph Losey’s sumptuous portrait of Nazi-occupied Paris sees an icy Alain Delon as an art dealer on a Kafkaesque quest for identity.
The Daily
Apr 22, 2022 — Cannes tops off its lineup, and we’re reading about Rivette, Resnais—and more.
Mar 29, 2022 — About half an hour into love jones, Theodore Witcher’s romance from 1997 starring Larenz Tate and Nia Long, the two main characters amble along a Chicago block as raindrops fall, soft but insistent. The colors are warm, naturalistic—browns, mauves, and...
Nov 23, 2021 — The End In the end, it should not have come as any kind of surprise. When Alfred Hitchcock’s Vertigo dethroned Orson Welles’s Citizen Kane (1941) as the greatest film of all time in Sight & Sound magazine’s international poll of...
On the Channel
Aug 30, 2021 — Next month, we’re headed to the Big Apple with a century-spanning survey of New York on-screen.
Jul 13, 2021 — One of the most remarkable Black films released in the 1990s, Bill Duke’s Deep Cover (1992) is an uncompromising film noir that uses the so-called war on drugs as its backdrop. The story follows Russell Stevens (Laurence Fishburne) as he...
The Daily
Apr 28, 2021 — A black-and-white comedy about a mother-daughter team of grifters opens New Directors/New Films.