The Criterion Collection
Apr 29, 2025 — A gritty look at New York City’s underground economy through the eyes of an immigrant street hustler, Sean Baker’s third feature film demonstrates his gift for combining hardscrabble social realism and mischievous humor.
Essays
Apr 29, 2025 — In this exuberant and moving portrait of a Brooklyn sex worker, Sean Baker draws on themes he has explored throughout his career, depicting the workaday grind of twenty-first-century American existence with biting humor and clear-eyed humanity.
The Daily
Apr 17, 2025 — At eighty-two, the director has made his most deeply personal film yet.
On the Channel
Apr 14, 2025 — This month’s programming brings seaside thrills and white-knuckle tension, noir classics from a politically repressive era in American history, early gems from Kathryn Bigelow, and guest-curated picks from Spike Lee.
The Daily
Mar 31, 2025 — The first five days of New Directors/New Films, the showcase of new talent copresented by FLC and MoMA, are packed.
The Daily
Mar 13, 2025 — Top prizes in the narrative and documentary feature competitions go to Amy Wang and Benjamin Flaherty.
The Daily
Feb 25, 2025 — In the run-up to the Oscars, Sean Baker calls on independent filmmakers to band together as a community.
The Daily
Feb 21, 2025 — This week we’re revisiting work by Zeinabu irene Davis, Chantal Akerman, Claude Lanzmann, Wang Bing, and Joan Micklin Silver.
Essays
Feb 18, 2025 — In her mainstream breakthrough, director Joan Micklin Silver envisions New York City through the eyes of a complicated, searching woman trying to figure out her place in the world.
The Daily
Jan 23, 2025 — In the run-up to the forty-first edition, critics have been writing up lists of their most-anticipated films.