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This So-Called Disaster

Aug 30, 2022 A lyrical study of a farming community in Ethiopia, Jessica Beshir’s debut feature reckons with the consequences of the region’s reliance on the cash crop khat.

Alain Resnais 100

The Daily

Aug 11, 2022 New York’s Film Forum commemorates the director’s centennial year with a series of twenty-one films.

Jul 27, 2022 Beat the heat with our extensive survey of Chinese representation in American film as well as tributes to Yaphet Kotto, David Gulpilil, and Myrna Loy.

May 31, 2022 The jury gave awards to nearly half the competition, but some critical favorites missed out.

Jul 6, 2021 Howard Hawks’s madcap battle of the sexes is a reminder of how necessary and sneakily profound silliness can be.

Sep 22, 2020 Francesco Rosi’s film Christ Stopped at Eboli (1979) is based on Carlo Levi’s novelistic memoir of the same name, which became an instant classic of Italian literature when it appeared at the end of World War II, in 1945. In...

Aug 27, 2020 In his novel All the Rest Have Died (1964), about his experience as a young actor in New York, Bill Gunn wrote, “I was always only slightly aware of the injustice the Black artist suffers while trying to create in...

Dec 20, 2019 The following account was scratched together in August 1990, when Wim Wenders’ Until the End of the World was still taking shape in the editing room. Apart from a basic rinse of copy editing, I’m offering it up essentially as is,...

Oct 24, 2019 D irector Ishiro Honda gathered his crew and gave them an ultimatum. He was about to put his career at risk, and he would only work with those who approached his current project—a movie about a radiation-spewing prehistoric reptile that...

May 2, 2019 “To begin with, Gone with the Wind is a woman’s story . . . Mr. Cukor, one of Hollywood’s finest directors and the man who has directed Hepburn and Garbo in some of their best, is known as a woman’s...

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