The Criterion Collection
The Daily
Jul 30, 2017 — “Everybody knows what’s wrong with Hollywood—the vacuous parade of tentpole blockbusters; the refusal to diversify both in front of and behind the camera; the confusion in the face of disruptions by Netflix and Amazon; the single-minded lust for the 13-year-old-male...
The Daily
Jul 23, 2017 — “Exploding across the stressed out summer of 2017 like a powder keg thrown into a room that’s already on fire, Kathryn Bigelow’s hectic but harrowing docudrama account of the 1967 Detroit riots is inevitably as concerned with the persistence of...
The Daily
Jul 10, 2017 — “While many of my more memorable screenings involved companions and cohorts—seeing Barbarella on a second date with the woman I’d eventually marry; catching a revival of Andrei Rublev with a friend as an elderly Russian lady noisily ate stinky borscht...
The Daily
Jun 23, 2017 — Reporting on last year’s edition of Il Cinema Ritrovato for Film Comment, Dan Sullivan called the festival “a rare beast indeed: a one-week, primarily repertory film festival, mind-bogglingly dense with new restorations, legendary prints, discoveries and rediscoveries, canonical works presented...
Sep 1, 2016 — Balancing epic scale with lyrical intimacy, Orson Welles inflects the spirit of Shakespeare’s history plays with his own zest for cinematic invention.
Sep 23, 2015 — Bruce Beresford draws on a controversial episode of Australian colonial history from 1901 to create an electrifying drama that questions the moral certitude of war.
May 29, 2015 — A shocking chapter of Soviet Czechoslovakian history is dramatized in Costa-Gavras’s controversial follow-up to Z.
Essays
Jul 15, 2014 — Among the brainiest of all horror movies, David Cronenberg’s film goes beyond shock to investigate a disturbing world of psychic mutation.
Essays
Sep 25, 2012 — No mere jigsaw movie, David Fincher’s thriller is also a nuanced character study, a satire of corporate culture, and a film about filmmaking.
Apr 21, 2010 — This piece originally appeared in La revue du son in December 1962, and was translated by Royal S. Brown for his 1972 book Focus on Godard. When Jean Collet submitted the article for the collection, he wrote that his remarks...