The Criterion Collection
On the Channel
Oct 29, 2018 — Professor Jeff Smith breaks down how François Truffaut’s loving tribute to the crime genre Shoot the Piano Player uses anamorphic widescreen compositions to stylish effect.
Features
Dec 20, 2017 — In her latest column, critic Imogen Sara Smith explains how cinematographer Henri Decaë brought a risk-taking spirit and seductive allure to some of the most iconic French crime films.
Apr 17, 2013 — Four of the great Japanese director’s lesser-known, early films show the coming into being of a political artist.
Essays
Aug 4, 2003 — Shohei Imamura’s lurid black comedy showcases the director’s passion for everything that’s kinky, lowlife, or irrational in Japanese culture.
Essays
Feb 1, 1988 — Based on the novel by W.T. Burnett, this heist film set in a nameless midwestern city offered moviegoers in 1950 a new view of crime.
The Daily
Mar 9, 2026 — The comprehensive retrospective can be a daunting prospect, but programmer David Schwartz has spotlit five essential features.
The Daily
Dec 5, 2025 — New issues of Cineaste and Found Footage Magazine are among this week’s highlights.
Aug 5, 2025 — From Grosse Pointe Blank to Singles to Trainspotting, some of the decade’s most memorable fusions of music and cinema brought underground culture to new heights of pop consciousness.
The Daily
Apr 14, 2025 — The director of Wake in Fright and The Apprenticeship of Duddy Kravitz was ninety-four.
The Daily
Nov 21, 2022 — Straub and his life and filmmaking partner Danièle Huillet have been described as “cinema’s conscience.”