The Criterion Collection
Essays
Aug 4, 2014 — Rebellious children of the sixties become conflicted consumers of the eighties in Lawrence Kasdan’s elegiac comedy-drama.
Jan 24, 2012 — From the scary thuds and mysterious roars that accompany the no-frills titles to the bizarrely poignant final image of the monster, alone at the bottom of the ocean, Ishiro Honda’s Godzilla is all business and pure dream.
Feb 12, 2007 — In this classical whodunit made just after the close of World War II, swirling sexual frustrations and resentments find expression in a series of apparently motiveless murders.
The Daily
Mar 8, 2018 — Let’s start with some festival news, primarily because a big one, SXSW, is opening tomorrow in Austin. Jay Duplass is on the cover of the new issue of the Austin Chronicle, which features a whopping preview package. “Few filmmaker names...
Feb 21, 2006 — Kind Hearts and Coronets (1949) is an Ealing comedy in name only. True, it’s undeniably a comedy and was made by (though largely not at) Ealing. But in virtually every other respect, it deviates startlingly from the commonly accepted stereotype....
The Daily
Apr 21, 2020 — What happens to the films slated to premiere at Cannes 2020? After all, the fall festival season is beginning to look pretty iffy, too.
Aug 27, 2013 — Ernst Lubitsch’s World War II–era high-wire act is a profound take on the absurdity cruelty of civilization and a perfect black comedy to boot.
On the Channel
Jul 17, 2024 — This month, we’re celebrating the expansive, archetype-exploding films of Paul Thomas Anderson, as well as the career of his frequent collaborator Philip Seymour Hoffman.
The Daily
Dec 9, 2023 — This week we’re revisiting the work of Tolkin, Bogdanovich, and Borowczyk and reading profiles of Isabelle Huppert and Nicolas Cage.
May 26, 2008 — As Britain stood on the threshold of a long-dreaded war in 1939, Alexander Korda decided to show what cinema could do to rally the nation and win support around the world.