The Kiss

Mar 15, 2011 — In Edward Yang’s cinema in general, and in Yi Yi in particular, character and environment are inseparable.

Jan 18, 2011 — By 1963, when he started filming Shock Corridor on a rented soundstage, Samuel Fuller had come ruefully and puckishly to view himself as a “Lindy,” a diminutive for Charles Lindbergh designating a prostitute who, like the famous aviator, operates solo,...

Aug 25, 1998 — Here is an honest, visionary, pulp film, stripped of all romanticism, with characterizations and themes more real and relevant today than ever. To watch Shock Corridor now is to experience the complex, wacky, full-blown masterpiece of one of Hollywood’s great...

Nov 5, 2014 — A review of the American auteur’s posthumously published novel

Apr 19, 2009 — “Why Sam Fuller?” a new essay by Tag Gallagher, in the latest issue of Senses of Cinema, asks. Aficionados might wonder, why even ask? But perhaps they forget that the two-fisted termite art of this now much-heralded genre filmmaker was...

Nov 19, 2024 — Ray Yeung is a Hong Kong filmmaker who has made four feature films. His latest work, All Shall Be Well, premiered at the 2024 Berlinale International Film Festival, where it won the prestigious Teddy Award and secured third place for...

Jan 31, 2014 — Tim Forbes is chairman of Forbes Digital and a former independent producer and screenwriter. He writes: “At the Brown Film Society in the early 1970s, we ran about twenty different movies a week, showing everything then available, from the lowliest...

Aug 24, 2016 — During a 2006 meeting with the author, French New Wave icon Jeanne Moreau reminisced about working with Orson Welles, Louis Malle, and François Truffaut, and her turn to acting as a means of eluding the “destiny of a regular girl.”

Aug 9, 2022 — An indie pioneer whose life was cut tragically short, the Texas filmmaker found grace in the tedium of repressive small-town existence.

Mar 25, 2022 — With its rambling Victorian mansions and seedy charms, the once-exclusive area of downtown Los Angeles was film noir’s favorite neighborhood.