The Criterion Collection
Essays
Feb 22, 1999 — To experience a film by Japanese B-movie visionary Seijun Suzuki is to experience Japanese cinema in all its frenzied, voluptuous excess. Born in Tokyo in 1923, Seijun Suzuki is best known for a cycle of extraordinary yakuza (gangster) movies he...
Apr 22, 2025 — The majestic landscape of Provence takes center stage in Claude Berri’s two-film adaptation of an epic tale by Marcel Pagnol, a cinematic treasure that remains an abiding source of comfort for French viewers.
The Daily
Sep 8, 2025 — Father Mother Sister Brother and The Voice of Hind Rajab win top awards in Venice.
The Daily
Jun 23, 2025 — The director followed up on his cult classic House (1977) with four tales of teen love, magic, and memory.
Aug 13, 2024 — In films that elude categorization, the Ukrainian director developed a boldly experimental aesthetic that evokes her mercurial inner dialogue and the leaps and stutters of her imagination.
Sep 29, 2021 — Luchino Visconti’s scandalous antifascist melodrama envisions the liquidation of desire with expressionistic panache.
The Daily
Apr 13, 2020 — The director of House, dozens of experimental films, and thousands of commercials returned again and again to the devastation of the Second World War.
Essays
Apr 24, 2000 — “Most of Aesop’s fables have many different levels and meanings. There are those who make myths of them by choosing some feature that fits in well with the fable. But for most of the fables this is only the first...
Essays
Jul 2, 2018 — Josef von Sternberg may have been one of cinema’s original micromanagers, but his films are testaments to longstanding collaborations with brilliant artists and technicians.
The Daily
Mar 20, 2018 — For the London Review of Books, Gaby Wood writes about Nicholas Ray’s In a Lonely Place (1950) and the 1947 novel it’s based on by Dorothy B. Hughes. “When filming began, Ray was married to its female lead, Gloria Grahame;...