The Criterion Collection
Essays
Mar 7, 2017 — With his unique blend of British realism and romantic fatalism, director Andrew Haigh exposes the quiet desperation at the heart of a long marriage.
Nov 4, 2014 — In cinema history, there truly is no gag like a Tati gag.
Jun 28, 2022 — Part rom-com, part existential meditation, the final installment in Joachim Trier’s Oslo trilogy dignifies the fluctuating desires of a woman on the cusp of thirty.
The Daily
Aug 2, 2021 — Here’s what’s next for Werner Herzog, Wim Wenders, and Dominga Sotomayor, plus updates on forthcoming films from Jean-Luc Godard and Claire Denis.
Jun 26, 2013 — On the life and work of the famous Czech author, and the pleasures and challenges of translating him.
Nov 21, 2023 — What stuck with me most after watching La cérémonie (1995) for the first time was the chewing gum.It’s not the scene most often cited in discussions of this late-career classic from French thriller master Claude Chabrol. Don’t get me wrong:...
The Daily
Mar 26, 2020 — The director of Re-Animator (1985) who founded a theater company that launched plays by David Mamet was seventy-two.
Feb 26, 2020 — Karel Zeman belonged to an obsessive fringe fellowship of moviemakers that stretched right back to the medium’s first formative days—a lineage of auteurs who believed in cinema as a full-blown daydream machine, capable of realizing inhabitable fantasias. These were filmmakers—practical-effects...
May 7, 2019 — “The emotion and conflict between two people in a drawing room can be as exciting as a gun battle, and possibly more exciting,” wrote William Wyler on the release of his film The Heiress in 1949. This tenet is fully borne out...