The Criterion Collection
Essays
Jan 18, 2022 — Garrett Bradley warped the clock. In her masterwork Time (2020), the present is the past is the future—which is to say, the lie of linearity gets emptied. Virginia Woolf comes up, when I think of artists who have comparably seized...
Nov 23, 2021 — Written and directed by the Safdie brothers, Josh and Benny, as a vehicle for two icons, funnyman Adam Sandler and basketball great Kevin Garnett, Uncut Gems (2019) is breathtakingly profane, alarming, and comic. Most simply described, the movie is one...
Nov 16, 2021 — Starting with his first movie, in 1949, the Cantonese folk hero became a pop-culture phenomenon whose personality evolved to suit the times.
The Daily
Nov 12, 2021 — A new podcast delves into the life and work of Chantal Akerman, and Reverse Shot opens a new symposium.
Essays
Oct 5, 2021 — Kaneto Shindo’s visceral erotic-horror film centers on a dangerous duo of women fighting to survive while men are away at war.
Essays
Sep 28, 2021 — The first Black-directed movie musical of the modern film era, Melvin Van Peebles’s drama illuminates the cultural and political concerns of working-class Black people with delight and fancy.
The Daily
Sep 3, 2021 — Faya Dayi opens, Sight & Sound revives the Black Film Bulletin, and Tsai Ming-liang and Tony Leung Chiu Wai look back—and ahead.
Sep 2, 2021 — Translated into English for the first time, this afterword to Hirokazu Kore-eda’s novelization of his film explores the director’s attraction to fiction writing and how the art form differs from narrative cinema.
Aug 24, 2021 — Andrzej Wajda’s masterful portrait of postwar Poland pits Communist ideals against the bitter realities of a new order.
On the Channel
Aug 8, 2021 — This month on the Channel, dive into the films of John Huston, Jean Harlow, Josephine Baker, and other cinematic icons.