The Criterion Collection
Mar 25, 2025 — Unfettered by the precepts of bourgeois morality and the nuclear family, the characters in Alan Rudolph’s romantic drama struggle to find happiness as they navigate love’s whims and ambiguities.
The Daily
Mar 11, 2025 — New restorations of The Hour of Liberation Has Arrived (1974) and Leila and the Wolves (1984) arrive in the U.S.
The Daily
Mar 10, 2025 — The Museum of the Moving Image’s annual showcase of “adventurous new cinema” is on from Wednesday through Sunday.
The Daily
Mar 7, 2025 — We’re spotlighting fine writing on Ben Rivers, Errol Morris, David Lynch, Želimir Žilnik, and Laura Carreira.
Feb 19, 2025 — Gus Van Sant’s lyrical exploration of addiction and faith—adapted from an autobiographical novel by James Fogle—influenced cinematic drug depictions throughout the nineties and helped to initiate a wave of American independent filmmaking.
The Daily
Feb 13, 2025 — Isolated sequences are dazzling, but as a whole, The Light may be difficult to buy into.
The Daily
Jan 7, 2025 — Retrospectives showcasing new restorations are on in Chicago and Los Angeles, and another is heading to New York.
Dec 17, 2024 — A remarkable breakthrough in Hong Kong action cinema, this rip-roaring spectacle represents the peak of Hung’s commitment to ensemble-oriented filmmaking.
The Daily
Dec 11, 2024 — Sean Baker’s eighth feature has been picking up awards and nominations and landing on several best-of-2024 lists.
Essays
Dec 11, 2024 — In this semiautobiographical meditation on the fickle nature of creative genius, Federico Fellini opens his arms wide to the enigmas of childhood, religion, art, sex, and love—mysteries with no solution.