The Criterion Collection
Oct 19, 2009 — Though known primarily for her wildly varied, continent-hopping features (Salaam Bombay!, Mississippi Masala, Vanity Fair, The Namesake), Indian director Mira Nair has for the past three decades also been forging a parallel career of short filmmaking. Both fiction (Migration, How...
Apr 21, 2008 — Juan Antonio Bardem combines neorealism with noir thriller to create a new dialect that would forge a new Spanish cinematic language.
Apr 23, 2007 — Louis Malle’s documentary work adopts certain tenets of cinéma direct—improvisation, minimal crew, the refusal to organize reality—and applies them to a consistently class-conscious, outsider perspective.
Oct 16, 2006 — Screenwriter Carlos Cuarón delves into the character played by Luis De Icaza.
Essays
Apr 28, 2003 — Federico Fellini both identifies with and satirizes the provinciality that forms his romantic comedy's central subject.
Essays
Jan 6, 2003 — With its casually comfortable exoticism, abstruse locale, and beautifully sympathetic anti-hero, Julien Duvivier’s film established a narrative paradigm that persists today.
Essays
Nov 23, 1998 — Paul Morrissey’s cult classic has obvious appeal for the lover of Grand Guignol—but it equally addresses the thoughtful.
Feb 10, 2003 — The poet Paul Eluard says that to understand my film version of Beauty and the Beast, you must love your dog more than your car. Ordinarily, I would settle for that. However, with so much being written about the film...
In Theaters
Dec 21, 2017 — The Trylon Cinema in Minneapolis throws the spotlight on the earliest works of one of French cinema’s most stylish innovators.
May 14, 2017 — Yasujiro Ozu’s ode to childhood interweaves observations of human behavior with the simple surfaces of quotidian life in Tokyo.