The Criterion Collection
The Daily
May 18, 2018 — The young Chinese director transports critics to a state of “melancholic bliss.”
May 6, 2018 — In his final masterpiece, Sergei Eisenstein revolutionized the screen biography, departing from the conventions of the genre to mount some of his boldest experiments. Ivan the Terrible, a two-part epic about the notorious Russian Tsar, is fueled by what the great director-theorist...
On the Channel
Mar 26, 2018 — In a new episode of Observations on Film Art, now streaming on the Criterion Channel on FilmStruck, professor David Bordwell talks about Wong Kar-wai’s innovative use of narrative structure in Chungking Express.
Mar 23, 2018 — In anticipation of his debut on the Criterion Channel, Connor Jessup spoke with us about his experiences as an emerging filmmaker and his collaboration and friendship with Thai maverick Apichatpong Weerasethakul.
The Daily
Dec 23, 2017 — Let’s first take a quick break from 2017 and look back fifty years (as I suspect we’ll be doing a lot in 2018). For Little White Lies, Justine Smith has been rifling through various archives and has put together a...
Essays
Mar 28, 2017 — In his first English-language feature, Michelangelo Antonioni examines the elusiveness of the real through the lens of a murder mystery.
Nov 15, 2016 — Akira Kurosawa lays bare his deepest fears in this visually astonishing interpretation of folklore, myth, and the director’s own dreams and memories.
Nov 24, 2015 — In Dont Look Back, legendary documentary filmmaker D. A. Pennebaker employs his revolutionary new camera and Direct Cinema style to capture the multiple essences and contradictions of a young Bob Dylan making his way across England in 1965.
Essays
Oct 21, 2015 — Masaki Kobayashi takes on broken vows and the unreality of the past in his sensual and spooky four-part adaptation of Lafcadio Hearn’s Japanese folktales.
Jun 9, 2014 — Your vigilance as an artist is an amorous vigilance, a vigilance of desire.—Roland Barthes to Michelangelo Antonioni, 1979 It’s lamentable that Michelangelo Antonioni, one of the most fashionable vanguard European filmmakers during the sixties, has mainly been out of fashion...