The Criterion Collection
Features
Mar 9, 2020 — “My objective is to create my own world, and these images which we create mean nothing more than the images which they are.” Andrei Tarkovsky More than three decades after his passing, the films of Andrei Tarkovsky retain their ability...
Aug 31, 2017 — “Lucrecia Martel is the elusive poet of Latin-American cinema, missing believed lost, the Mary Celeste in human form,” begins the Guardian’s Xan Brooks. “She made La Cienaga and The Holy Girl; split the Cannes audience in two with her brilliant,...
Oct 27, 2014 — Though he emerged from established stage and screen comedy traditions, Tati invented a completely new filmic language.
Essays
Nov 23, 2010 — Easy Rider is a record of a certain time in American history, and a chronicle of a culture clash that never quite ended.
Oct 12, 2010 — Ingmar Bergman’s Ansiktet (1958)—the title literally translates as The Face, though in North America it was released as The Magician—is arguably one of his most underrated achievements. Its undeservedly lowly standing may perhaps be attributed to its chronological position in...
Apr 16, 2007 — Jules Dassin’s noir is arguably the meatiest and most resonant prison film ever made in Hollywood, drawing explicit parallels to the Nazi encampment experience.
Apr 12, 2011 — With his 1970 gangster epic Le cercle rouge, Jean-Pierre Melville finally landed his white whale.
Features
Jul 7, 2021 — In the 1990s, Hong Kong was home to a staggering number of the most gifted and charismatic actors in the world. It’s impossible to imagine the films of Wong Kar Wai—or the global art-house phenomenon they generated—without these extraordinary performers;...
Apr 24, 2015 — Atypical in style and subject, Yasujiro Ozu’s early crime dramas show a future master brilliantly experimenting with camera and editing.
May 23, 2012 — Iranian master director Abbas Kiarostami voyaged to Italy to make a film that questions love, relationships, and Western art cinema.