The Criterion Collection
Nov 26, 2024 — Combining sci-fi magic and a distinctly human sense of intimacy, Guillermo del Toro’s Oscar-winning film reimagines an oppressive era in American history through a tale of romantic fate.
The Daily
Feb 11, 2022 — The week wraps with swift thrills from Steven Soderbergh and Dominik Graf and fresh appreciations of Louis Malle and Julien Duvivier.
The Daily
Dec 29, 2022 — Martin Scorsese, Hayao Miyazaki, Catherine Breillat, Michael Mann, Christian Petzold, David Fincher . . .
Features
Feb 12, 2021 — In an interview with bell hooks published in 1996, Camille Billops responded to a question about the transgressive candor of her films by saying “It is probably exhibitionism on my part [. . .] some people say our films have...
The Daily
Jul 25, 2017 — Venice Days, “modeled on the prestigious Directors’ Fortnight of the Cannes Festival and promoted by the associations of Italian film directors and authors (Anac and 100autori),” has announced the lineup for its fourteenth edition, running from August 30 through September...
Essays
Jan 21, 2008 — As late as 1970, Alf Sjöberg’s boldly experimental 1951 adaptation of August Strindberg’s play was declared as inaugurating “a new cinematic language.”
On the Channel
Mar 14, 2018 — Bette Davis struck a blow against expectations of pliant female loveliness and grace with her role as a no-nonsense teacher in The Corn Is Green.
The Daily
May 25, 2023 — Audrey Diwan’s jury spotlights emerging talents from Malaysia, Belgium, Serbia, and France.
The Daily
Jul 22, 2021 — Quentin Tarantino’s first novel and studies of Ophuls and Melville are among this month’s new and noteworthy titles.
The Daily
Jan 5, 2021 — The director overcame anti-Semitism or misogyny to make such unique films as Hester Street and Chilly Scenes of Winter.