The Criterion Collection
Nov 15, 2016 — Akira Kurosawa lays bare his deepest fears in this visually astonishing interpretation of folklore, myth, and the director’s own dreams and memories.
In Theaters
Jun 5, 2014 — Repertory Picks San Francisco moviegoers beware—the king of the monsters is stomping into town this weekend. Ishiro Honda’s 1954 classic Godzilla (a.k.a. Gojira) plays at the city’s legendary Castro Theatre on Sunday, June 8. Many remakes and imitators have come...
Sneak Peeks
Jul 11, 2013 — In this video, contemporary cinema’s preeminent monster lover, Guillermo del Toro (Cronos, The Devil’s Backbone), tells us about his passion for the original Godzilla, a film that is more serious and poignant than most may realize. Del Toro’s latest effort,...
Nov 20, 2012 — For a brief, shining moment, the genteel Japanese studio mutated into a fun house of grim ghouls and slimy aliens.
Aug 23, 2011 — Intimidation: The Weird Dream MakerImpassioned and dedicated craftsman of some of Japanese cinema’s biggest box-office successes and most eccentric off-genre sorties, longtime Nikkatsu studios mainstay Koreyoshi Kurahara (1927–2002) was a filmmaker with two opposite yet inseparable signature points of view....
Essays
May 17, 2011 — “There was a strong influence of Baudelaire’s Fleurs du mal throughout this film,” director Masahiro Shinoda would later remember of his 1964 squid-ink noir Pale Flower, made in the days when his career as a filmmaker and founding figure of...
This pioneer of American independent cinema made emotionally naked human dramas suffused with kinetic, heightened realism.
This singularly audacious B-movie visionary made purposefully crude, elegantly stripped-down films that laid bare the dark side of American culture.
There are eight million stories in the Naked City. Here are some of them.
Aug 11, 2008 — Every Guy Maddin movie creates the illusion of a secret history. His willfully primitive cut-rate spectacles seem like artifacts, reanimated bits of cultural detritus, but also like hauntings, the return of the cinematic repressed. From the start, Maddin’s sensibility was...