The Criterion Collection
The Daily
Oct 6, 2023 — Notes on a “gobsmacking” Mexican classic, Isabelle Adjani’s secrets, and underground cinephilia in Iran.
Aug 22, 2023 — In 1962, the young Bo Widerberg threw a grenade into the complacent waters of Swedish cinema. It came in the form of four articles in the evening newspaper Expressen—followed by a book version titled Vision in Swedish Film—in which Widerberg...
The Daily
Jan 25, 2023 — Critical favorites include new films by Ira Sachs, Roger Ross Williams, William Oldroyd, and Raine Allen-Miller.
The Daily
Nov 14, 2022 — Most reviewers are getting a kick out of Tarantino’s blend of memoir and film criticism.
May 18, 2022 — Just slightly northwest of Death Valley, in what is now eastern California, a mountain range carves out the eastern edge of the Owens Valley. Sculpted by bedrock pushed between tectonic faults during the late Proterozoic to Cambrian periods, the Inyo...
Feb 9, 2022 — The Learning Tree may have been Gordon Parks’s first feature film as a director, but by the time filming began in the fall of 1968, Parks already had almost three decades of experience behind a camera. In 1940, the self-taught...
Aug 31, 2021 — Cary Joji Fukunaga’s devastating child-soldier movie unflinchingly captures the shock of war without forsaking the complexity of human experience.
The Daily
Feb 4, 2021 — Here’s an overview of what critics have been saying about this year’s winners.
Jul 21, 2020 — Consider this an afterword to Taste of Cherry (1997), the feature that brought its director, Abbas Kiarostami, to full international prominence, after it became the first Iranian movie to win the Palme d’Or at the Cannes Film Festival (where it...
Jun 16, 2020 — Buster Keaton’s last great film, The Cameraman (1928), is his love letter to the machine that makes movies possible. He plays a humble street photographer who is smitten with a pretty secretary and follows her back to the newsreel office...