The Criterion Collection
Jan 19, 2023 — The frequent collaborators talk about their close friendship, the paths that led them to each other, and the artistic values they share.
The Daily
Jan 6, 2023 — The interdisciplinary Canadian artist was best-known in the States for such landmark films as Wavelength (1967) and La région centrale (1971).
Dec 6, 2022 — Known for their austerity and shocking moments of violence, the Austrian director’s first three films cultivate a kind of humanism in their dogged refusal to coddle the viewer.
Dec 1, 2022 — During the production of our release of Amores perros in 2020, the film’s writer-director, Alejandro G. Iñárritu, gave us a remarkable window into his creative process, showing us some of the dozens of note cards he’d used in planning scenes...
Nov 2, 2022 — The director of Samson and Delilah and Sweet Country discusses his formative artistic encounters, his eclectic professional background, and on-screen Indigenous representation.
The Daily
Oct 19, 2022 — A father and daughter bond on a budget holiday in the Scottish director’s first feature.
Sep 20, 2022 — The Canadian auteur Atom Egoyan’s strip-club-set drama is an intricate tapestry of grief and trauma, held together by a longing for human connection.
The Daily
Sep 19, 2022 — Let’s have a look at the award-winners and critical favorites.
Aug 31, 2022 — The veteran designer talks about her wide-ranging, three-decade career, which has included collaborations with rock icons like Nirvana and filmmakers like Sofia Coppola and David Lynch.
Jul 13, 2022 — Martin Scorsese’s long-gestating boxing opus—one of the last films on which he enjoyed unequivocal studio support—emerged from a Hollywood in transition.