The Criterion Collection
Essays
Jun 10, 2025 — Sidney Lumet’s lavish adaptation of a Tony Award–winning stage musical combines an ecstatic appreciation of Black artistry with a celebration of freedom and perseverance.
The Daily
Mar 4, 2025 — The Melbourne Cinémathèque presents selections from the four phases of a profoundly influential oeuvre.
The Daily
Feb 26, 2025 — This month brings deep dives into the work of Ken Loach and Radu Jude as well as new books on Isabelle Huppert, Holly Woodlawn, and more.
The Daily
Feb 21, 2025 — This week we’re revisiting work by Zeinabu irene Davis, Chantal Akerman, Claude Lanzmann, Wang Bing, and Joan Micklin Silver.
On the Channel
Jan 16, 2025 — Swoon for big-city romance with our New York Love Stories collection; celebrate Black history with stories of community, creativity, and resistance; or tango with the shady characters of Argentina’s noir thrillers.
The Daily
Jan 8, 2025 — We’re looking forward to new work from Richard Linklater, Bong Joon Ho, Kelly Reichardt, Christian Petzold, Chloé Zhao, Sebastián Lelio, and many other filmmakers.
The Daily
Dec 2, 2024 — Metrograph presents new restorations of Lino Brocka’s Bona (1980) and Lupita Aquino-Kashiwahara’s Once a Moth (1976).
The Daily
Sep 5, 2024 — Homegrown cinema makes a strong showing this year with new films from Sofia Bohdanowicz, Kazik Radwanski, and David Cronenberg.
The Daily
Sep 4, 2024 — The festival launched RaMell Ross’s Nickel Boys and brought in a slew of critical favorites fresh from their premieres in Venice.
Aug 20, 2024 — In the late 1980s, filmmakers Gregorio Rocha and Sarah Minter set out to capture the rebellious subculture of youth in Ciudad Nezahualcóyotl, a slumlike suburb synonymous with the worst failures of urban expansion in Mexico.