Mar 29, 2013 Did You See This?• A new column on the art of the movie poster • The greatest British film ever made? • Mapping Kubrick’s world • Make your own Monsoon Wedding. • Michael Sragow looks back and ahead. • A...

Mar 22, 2013 Did You See This?• Fifty awesome openers—but 8½’s the best of all. • Pam Grier, Federico Fellini, and fried pigeon—all in one story • Restored silent Hitchcock coming our way • The incredible true adventures of Budd Schulberg and Leni...

Oct 28, 2011 The following is excerpted from a 1972 interview that film scholar Joan Mellen conducted with director Kaneto Shindo. The interview originally appeared in the 1975 book Voices from the Japanese Cinema. I find the social dimension of your films very...

Oct 4, 2011 Masaki Kobayashi rejects the notion of individual submission to the group, condemning the hierarchical structures that pervaded Japanese political and social life in the 1950s and 1960s.

Mar 22, 2011 In 1985, deep into the twelve-year reign of the Reagan-Bush administration, Rob Epstein mounted a Hollywood stage with Richard Schmiechen, both men resplendent in tuxedos. Epstein was only twenty-nine years old. The director had just made history, with producer Schmiechen,...

May 5, 2009 Irecently had occasion to show Ivan the Terrible in a course on forties world cinema I’m teaching at Chicago’s School of the Art Institute, and found it more mind-boggling than ever. This has always been the Eisenstein feature that’s given...

Apr 9, 2009 Andrzej Wajda’s Danton engages the subject of the French Revolution in a daring way. The Polish director took a very dim view of the events, a rather controversial perspective in France, where it was made, in 1983. In interviews on...

Dec 15, 2008 Critics have had our debut Blu-ray releases for weeks, and the word is out, coast to coast: “a revelation,” “stunning” and “eye-opening,” “awe-inspiring,” “nothing short of a miracle,” “if you think only color pictures can benefit from high-def treatment, think...

Nov 9, 2008 Ken Ogata was a brave and talented actor. He took chances in a system that discouraged risk taking. I had been told that no reputable Japanese actor would star in Mishima because of the controversy surrounding Mishima and the notion...

Sep 29, 2003 In May 1981, in the midst of shooting Lola, Rainer Werner Fassbinder sketched out his next film project: Sybille Schmitz. On the cover, he had written, “Story for a Feature Film*.” The asterisk pointed to this footnote: “It is possible...

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