The Criterion Collection
The Daily
Aug 3, 2023 — Reubens’s man-child creation was the role of a lifetime, but filmmakers were eager to have him show us his real range.
The Daily
Feb 15, 2022 — Films from Italy, Iceland, and the Central African Republic each map the dynamic between four friends.
The Daily
Feb 4, 2021 — Here’s an overview of what critics have been saying about this year’s winners.
Mar 1, 2017 — In his most seductive experiment with cinematic time, Richard Linklater wrestles with the joys and challenges of long-term intimacy.
Apr 15, 2019 — She was known as “a professional innocent”—until Persona (1966) revealed a complex emotional intelligence.
The Daily
Feb 2, 2018 — New York. First, we look past the new few days with a few lineup announcements. EW’s Clark Collis reports on Pacino’s Way, a retrospective of over twenty-five films, “the majority screening on 35 mm prints,” that will run at the...
The Daily
Jun 14, 2017 — New York’s BAMcinemaFest opens tonight with Aaron Katz’s Gemini and closes on June 24 with Alex Ross Perry’s Golden Exits. “Now celebrating its ninth year, this modest yet prestigious festival, so shrewdly curated, so reliably comprehensive a treasury of contemporary...
Essays
Aug 18, 2003 — Ingmar Bergman’s chamber film is his most concentrated inquiry into the significance of religion, and of Lutheranism specifically.
Essays
Oct 25, 2012 — The following piece by Sunday Bloody Sunday screenwriter Penelope Gilliatt originally appeared as the introduction to the 1971 U.S. publication of the script. A friend of mine who had started scrubbing at fourteen and went on to be a barmaid...
Essays
Feb 22, 2011 — Andrea Arnold seemed to emerge out of nowhere with Red Road (2006), her revelatory, shrewdly observed debut feature about voyeurism and sexual revenge. That film won Arnold multiple awards, and she had already earned an Oscar for her short Wasp...