Aug 22, 2023 In 1962, the young Bo Widerberg threw a grenade into the complacent waters of Swedish cinema. It came in the form of four articles in the evening newspaper Expressen—followed by a book version titled Vision in 
Swedish Film—in which Widerberg...

May 22, 2023 Drawing freely from the novel by the late Martin Amis, Glazer emphasizes the horror of what we do not see.

Mar 28, 2023 Described by director Joan Micklin Silver as “a kind of weird romantic comedy,” this defiantly ambiguous exploration of amour fou presents its obsessive antihero in all his contradictions.

Jun 28, 2022 Part rom-com, part existential meditation, the final installment in Joachim Trier’s Oslo trilogy dignifies the fluctuating desires of a woman on the cusp of thirty.

Jun 8, 2022 The Indian director, actor, and producer’s early death has enshrined him as a tragic icon in public memory. But there is more to his art than misery.

Mar 8, 2022 A parable of wayward women in a world without mothers, Márta Mészáros’s 1975 feature catapulted the Hungarian auteur to international prominence.

Jan 18, 2022 Garrett Bradley warped the clock. In her masterwork Time (2020), the present is the past is the future—which is to say, the lie of linearity gets emptied. Virginia Woolf comes up, when I think of artists who have comparably seized...

Sep 29, 2021 Luchino Visconti’s scandalous antifascist melodrama envisions the liquidation of desire with expressionistic panache.

Sep 3, 2021 In the thirty-fifth edition of the Italian festival dedicated to restored films, an eclectic lineup underscores the transportive physicality of cinema after a long year stuck at home.

Jul 13, 2021 Miles: I just sold a building on the Lower East Side and tripled my money Molly: There’s a lot of that happening these days. Released the year before Oliver Stone’s Wall Street (1987), Working Girls, a film about sex work, is a sharper by far...

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