Distant

Oct 12, 2021 — In Raoul Walsh’s elegy for the Depression-era archetype of the noble outlaw, Humphrey Bogart plays an old-fashioned desperado who has outlived his time.

Sep 29, 2021 — Celebrate the spooky month with our collection dedicated to cinema’s most legendary monsters and a series of chilling home-invasion thrillers.

Sep 22, 2021 — Writer-director John Huston blasted the fusty pieties that pervaded big-studio filmmaking in the post-Code era, whether as the progenitor of film noir with The Maltese Falcon (1941) or the brainy daredevil who threaded critiques of frontier capitalism, gold lust, and...

Sep 16, 2021 — For some, it’s “a relentless, propulsive chase movie,” while others find this first part to be “a turgid preamble with little payoff.”

Jul 29, 2021 — As André Bazin put it, Marker created “a new and modern reality based as much on language and words as on the power of the image.”

Jul 12, 2021 — The British director’s autobiographical sequel is one of the most enthusiastically reviewed films at Cannes so far.

Jun 11, 2021 — We’re watching new restorations and assessing the states of Bollywood and the modern musical.

May 27, 2021 — First Person I first watched Yi Yi on a busted cassette tape, in my small Texas town, rented from a Blockbuster behind a rice field and a pharmacy. If you were a high schooler growing up just outside of Houston...

May 26, 2021 — Channel Calendars Next month, the Criterion Channel celebrates Pride Month with a host of extraordinary queer-themed films, including a new installment of our Queersighted series focusing on taboo-breaking artists, a trio of outré underground classics from John Waters, and a restrospective...

Apr 21, 2021 — First Person The first time I saw Terence Davies’s 1992 film The Long Day Closes, I was upended by a recurring image of the sensitive Liverpool lad at its heart, his arms folded across a worn window ledge as he...